6.21.2006

AMV Moved! Update your Feed

A Motley Vision has moved to http://www.motleyvision.org. If you aren't going there to read our posts, you've already missed two:

* Curing LDS Book Availability: Why We Need a Wholesaler by Kent Larsen

* Got Soul? by Patricia Karamesines

If you are getting A Motley Vision by rss feed, please update your feeds!!!

6.18.2006

A Motley Vision has moved!

A Motley Vision is now at http://www.motleyvision.org/. Please join us there. All posts and comments have been moved over to our new site.

If any of you read the Blogger incarnation of AMV on an RSS reader, our new feed is http://www.motleyvision.org/wp-rss2.php.

I hope you like our new digs. We do.

6.12.2006

"Backslider" Turns 20

One of the more interesting events in Mormon Literature this year is the 20th anniversary of the publication of The Backslider, perhaps the finest LDS novel published to date. (The other novel widely considered for this designation is Maureen Whipple's The Giant Joshua. Personally, I prefer The Backslider).

While I expect there will be other events to mark this occasion, Sunstone has apparently stepped up to commemorate the event, by publishing a series of essay's on the book's effect.

Sunstone recently issued a call for essays on the book, as part of this effort. Essays are to be 500 to 1,500 words long, and are open to any theme that the writer would like to cover. Those interested should send their essays to Cherie Woodworth (cherie.woodworth [at] gmail.com).

Regardless of what you think of LDS literature, this is one title that is worth the read, and should be included in the "canon" of LDS literature -- those works that you have to have read to be fully educated in Mormon culture. If the Mormon people were truely a separate culture and nation, this book would be on the required reading list in high school, just like Tom Sawyer, The Last of the Mohicans and The Sun Also Rises are for many high school students in the US.

6.06.2006

News: Poetry Chapbook from MAG

I'm passing on the following announcement from New York City's Mormon Artist Group:


New York City's Mormon Artists Group recently announce the publication of Javen Tanner’s first volume of poetry, Curses for Your Sake.

The fourteen poems in this chapbook traverse a landscape of contemporary wandering and rumination. The title comes from the third chapter of the book of Genesis in which man is sent out from Eden to till the ground cursed for his sake. At turns contemplative, elegiac, and playful, the poems are grounded in personal experiences; they examine relationships in the family, and they observe life out in the world.

Javen Tanner
Javen Tanner is from Kanab, Utah and lives in New York, New York. His poems have appeared in Southwestern American Literature, The Midwest Quarterly, The Roanoke Review, DMQ Review, Rock Salt Plum, Three Candles, The Raintree Review, and others. He holds an MFA degree from the University of San Diego/Old Globe Theatre. He is the associate artistic director of the Handcart Ensemble in New York City.

The Editions
Curses for Your Sake was published in a softcover edition, saddlestitch bound, 6"x9", 48 pages. That edition is $14.95. ISBN 0-85051-016-3

A handbound limited edition, which sold out in just three days, was also published and may be available from rare book dealers. It included an audio CD recording of the poetry read by Javen Tanner, and was signed and numbered by the artist.

An audio excerpt of Curses for Your Sake is available online, as is a sample of the poems at mormonartistsgroup.com. Copies may be ordered through the group's website.


Mormon Artists Group Press
Mormon Artists Group is a collective of some fifty artists who are LDS and live in New York City. We are writers, playwrights, photographers, painters, filmmakers, composers, graphic designers, illustrators, poets, choreographers, etc. We are affiliated with The Church of Jesus Christ of Latter-day Saints only to the extent that we are members of the church. Curses for Your Sake is our eighth publication.

Our works in print are:
The Book of Visions (animated film by Annie Poon, 2005)
The Articles of Faith (song cycle by David Fletcher, 2005)
Manhattan New York Temple Portfolio (suite of six photographs, 2005)
Mormoniana (sixteen composers, concert pianist, essayist and artists, 2004)
Mona Lisas and Mad Hatters (original prints by Lane Twitchell,
Musical Compositions by LDS Composers in New York City Library Collections (2003);
Silent Notes Taken (personal essays by nine authors, 2002)

6.01.2006

Publishing: Choice in LDS Books

Those who have read my previous posts (yes, those from last Fall, when I last gave myself enough time to write here) know that I think the market for LDS books is crippled. It is only able to supply a relatively narrow range of books to a relatively narrow audience, and as a result either ignores or turns-off a large portion, perhaps even the majority, of those who might purchase LDS books.

I've thought quite a bit about what causes this problem, and I think I've caught on one issue that contributes. Surprisingly, its ground that members of the LDS Church know well and cover regularly in Church lessons. This issue is Free Agency, or in commercial terms, choice.

Let's make the issue more concrete. When you go into an LDS bookstore, you can purchase any thing in the store, and possibly even out-of-stock items, or you can even choose to purchase nothing. But what about the items that are not in the store? That the store has decided not to carry?

Many years ago I heard a talk on tape by Camila Eyring Kimball, wife of President Spencer W. Kimball, that addressed this very subject. Sister Kimball pointed out in that talk that if you don't know about a possible choice, you don't really have a choice -- your Free Agency has been diminished because that choice isn't available.

It doesn't take much thinking to realize that bookstores must limit your choices. They simply can't afford the floor space to allow you to choose among all available LDS books. And, probably, giving you all choice can even cause confusion. [I'll admit that when I go to the most complete sources of books in English (Amazon.com, barnesandnoble.com and some other Internet stores), I sometimes become confused by the amount of choice -- on some titles its possible to find so many variations that you don't know what to buy! But this isn't the case with LDS books.]

However, I don't think that LDS bookstores are only limiting customer's choice based on what fits in their stores. They also limit choice based on what they think is acceptable to their audience. Deseret Book is a prime example. Their policy of excluding some titles because they didn't feel that those titles were "appropriate" for their audience is well documented -- remember the fuss when Deseret Book dropped a Richard Paul Evans title?

Less well known is what I recently learned from a contact at Signature Books, who reports that Deseret Book hasn't purchased any new title from Signature in five years (they apparently still purchase some backlist titles). Those titles also don't show up on Deseret Book's website, so customers don't even know that they exist. While I know that many don't like Signature Books (even the most conservative will find some of their titles valuable -- their publication of important historic Mormon documents, if nothing else), it seems a little harsh to not even look at a book simply because of who published it.

Now I'm not suggesting that Deseret Book has to carry Signature's titles or those of any other publisher, regardless of the reason for leaving them out. Deseret Book's decision in and of itself isn't the problem. The problem is that the entire industry follows Deseret Book's policy! Perhaps not in the details, but virtually every LDS Bookstore, with a handful of exceptions, limits what they carry to only those titles that they are certain no one will complain about.

Its one thing for a single bookstore or chain of stores to decide not to carry a title. Its another for the entire industry to leave a title out in the cold. And then if the entire industry refuses to carry a particular publisher, without even evaluating its most recent offerings, that seems like a problem. Haven't we lost choice in the process?

There's an aspect of this that makes this situation still more complicated. If you adopt the position that stores should evaluate and leave out objectionable books, on what basis should they do so? Who decides and how do they decide? Why should store managers have the right to hide the existence of books from me just by being hired or by investing in a bookstore?

Please don't assume from my arguments here that I'm arguing for bookstores to be completely permissive. I don't think that everything should be in LDS bookstores. At a minimum, outright anti-Mormon literature should be excluded from most LDS bookstores -- at least those run for faithful members. But I don't know where the line between encouraging freedom of choice and not promoting evil should be drawn.

I do know that I'm very uncomfortable with current practices, which seem to be based as much on rumor, gossip and cultural politics than on objective evaluation of content and reputation. I also know that these policies are limiting the size and reach of the market.